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I have written quite in detail about the Babylonian labyrinths. For that I refer to the Related Posts below. Now here it should be a summary.

I have taken most information from the detailed and excellent article of Richard Myers Shelton in Jeff Sawards Caerdroia 42 (March 2014) to which I would also like to point here once again.

The findings are in the most different collections and museums worldwide. I use the catalogue number to describe the various clay tablets.

The oldest specimens in angular shape dates back to Old Babylonian times about 2000 – 1700 BC and are to find in the Norwegian Schøyen Collection.

The Rectangular Babylonian Labyrinth MS 3194

The Rectangular Babylonian Labyrinth MS 3194

The Square Babylonian Labyrinth MS 4515

The Square Babylonian Labyrinth MS 4515

Then follows the different more round visceral labyrinths from the Middle Babylonian to the Neo-Babylonian times about 1500 – 500 BC. They are to be found in the Vorderasiatisches Museum Berlin (VAN… and VAT… numbers), in the Louvre (AO 6033), in the Rijksmuseum van Oudheden Leiden (Leiden labyrinth) or come from Tell Barri in Syria (E 3384).

I have numbered the tablets with more figures from the left on top to the right below and present the well visible ones (21 pieces) in a bigger tracing. Some figures are unrecognisable or destroyed. All together we have 48 illustrations.

Then there are another 6 single specimens. They follow here:

Visceral Labyrinths

Visceral Labyrinths

Here the 21 bigger tracings of the well recognisable specimens:

The Visceral Labyrinth on VAT 984

The Visceral Labyrinth on VAT 984

The Visceral Labyrinths on VAN 9447

The Visceral Labyrinths on VAN 9447

The Visceral Labyrinths on E 3384 recto

The Visceral Labyrinths on E 3384 recto

The Visceral Labyrinths on E 3384 verso

The Visceral Labyrinths on E 3384 verso

So we have a total of 56 Babylonian labyrinths, 29 of which are clearly recognisable.

It is common to all 29 diagrams that they show an unequivocal way which is completely to cover. There are no forks or dead ends like it would be in a real maze.

All 29 specimens have a different layout or ground plan and therefore no common pattern.

Everyone (except VAT 9560_4) has two entrances. On the angular labyrinths they are lying in the middle of the opposite sides. On the remaining, mostly rounded specimens they are situated side by side or are displaced.

The Leiden Labyrinth is simply a double spiral. An other special feature is the visceral labyrinth VAT 9560_4. It has only one entrance and a spiral-shaped centre, just as we have that in the Indian labyrinth. It shows perfectly a labyrinth.

The Mesopotamian divination labyrinth could also have a closed middle (and therefore only one entrance) and the loops run in simple serpentines.

The remaining 24 specimens have all a much more complicated alignment with intertwined bends and loops.

The 27 unreadable specimens are presumably structured alike. And maybe there are still more clay tablets awaiting discovery?

We know nothing about the meaning of the angular specimens. The remaining 27 more rounded specimens are visceral labyrinths.

The visceral labyrinths show the intestines of sacrificial animals as a pattern for diviners, describing how to interprete them for oracular purposes in the extispicy. From there it is also to be understood that they should look very different. This explains her big variety. And also again her resemblance. They represent rather an own style than an own type.

The Babylonian labyrinths come from an own time period, from another cultural sphere and follow a different paradigm than the usual Western notion of the labyrinth. They are above all walk-through labyrinths. However, in our tradition we also know walk-through labyrinths, especially the Wunderkreis.

A Wunderkreis in Babylonian style

A Wunderkreis in Babylonian style: The logo for the gathering of the Labyrinth Society TLS in 2017), design and © Lisa Moriarty

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And vice versa: How to make a Wunderkreis from a Babylonian visceral labyrinth.

That’s possible, at least with the Babylonian Umma Labyrinth.

The essentials of a labyrinth ly in the course of the pathway expressed by the level sequence, not the external form or layout. More exactly Andreas calls this the pattern.

The Babylonian Umma Labyrinth

The Babylonian Umma Labyrinth

The Umma labyrinth has two turning points surrounded by two circuits each and a meander in the middle. The two entries ly outside. There is only one, unequivocal way through the labyrinth.

The Wunderkreis has a double spiral in the centre and two other turning points with arbitrarily many circuits. Besides, a side has a circuit more than the other. The entries are in the middle section.

A large Wunderkreis

A large Wunderkreis

In order to indicate the single developing steps I first transform a “completely developed” Wunderkreis into the smallest possible version.

It looks thus: A meander in the middle and two other turning points with a total of three circuits as to be seen in the labyrinth type Knossos.

The smallest Wunderkreis

The smallest Wunderkreis

To be able to compare this small Wunderkreis to the Umma labyrinth, I lay all centres (at the same time the ends of the boundary lines or the turning points) on a single line. Just as if I folded the triangle built from the turning points.

The compressed Wunderkreis

The compressed Wunderkreis

Both entries are here in the middle section, in the Umma labyrinth they are outside and side by side. Besides, there is one more circuit on the left side. Now I add one circuit to the figure and the entry will change to the outer side on the right as well.

One more circuit

One more circuit

I now turn the second entry to the left side. As a result, the two entries  point in different directions.

The two entries outside

The two entries outside

Hence, I turn the right entry completely to the outer side on the left beside the left entry. As I do that geometrically correct, two empty areas appear.

The two entries side by side

The two entries side by side

Now I extend both entry paths by a quarter rotation upwards and turn the whole figure to the right by some degrees . Thus I receive the complete Umma labyrinth.

The Babylonian Umma Labyrinth

The Babylonian Umma Labyrinth

If I want to develop the Wunderkreis from the Umma labyrinth, I must leave out some circuits, turn the whole figure and finally raise the middle part.

The nucleus

The nucleus

The supplements made in the preceding steps are emphasised in colour. The nucleus of the visceral labyrinth contains the Wunderkreis.

Surely the Wunderkreis as we know it nowadays was not developed in this way. There are no historical documents to prove that. However, in my opinion the relationship of both labyrinth figures can be proved thereby. They are not simply spirals or meanders. These elements are rather included and connected in a “labyrinthine” way.

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In the article by Richard Myers Shelton in Jeff Sawards Caerdroia 42 (March 2014)  there is the picture of a visceral drawing on a clay tablet which is older than those we have seen before (see related posts below).

Clay tablet with diagram

Clay tablet from Umma of Old Babylonian times, photo courtesy of the Louvre

The clay tablet with the visceral drawings was found in the old Sumerian city of Umma, the today’s Tell Jokha in Iraq. It dates from the time about 1900 – 1600 B.C. and you can now see it in the Louvre under the number AO 6033.
The photo can be found in the cuneiform digital library initiative of the University of California, Los Angeles, under the CDLI number P 386355.

Unfortunately, the tablet is damaged. Nevertheless, the missing lines can be reconstructed perfectly and then show the following plan:

The visceral drawing on tablet AO 6033

The visceral drawing on tablet AO 6033

The alignment reminds very strongly of the so-called Berlin labyrinth on the clay tablet VAT 744 at the Vorderasiatisches Museum of Berlin which is some hundred years younger.

The visceral drawing on tablet VAT 744

The visceral drawing on tablet VAT 744

Despite the resemblance the lines in the visceral drawing on tablet AO 6033 show a completely different labyrinth.
The path (Ariadne’s thread) inside the tablet ascertained from the boundary lines looks thus:

Ariadne's thread in the visceral drawing on AO 6033

Ariadne’s thread in the visceral drawing on AO 6033

Based on these lines I construct a geometrically exact figure consisting of arc elements. The midpoints of them can be arranged on a single line.

Ariadne's thread geometrically correct

Ariadne’s thread geometrically correct

After that I construct the boundary lines around the same midpoints and will obtain the complete labyrinth:

The labyrinth

The labyrinth

The alignment is completely different from the one of the Berlin labyrinth. In the middle there is a kind of a double spiral. Besides there are two turning points. The two sickle-shaped empty areas are remarkable.

Anyway we see an hitherto unknown walk-through labyrinth. Maybe even the oldest one proved so far? In any case, it is older than the example on the tablet of Pylos.

How should one name it? Referring to the proposals of Andreas maybe: The Babylonian Umma labyrinth.


Who would like to draw or build such a labyrinth as a walkable one? The following drawing offers the necessary information. The measurements are to be understood as units. So “1” can be: 1 cm, 10 cm, 60 cm, 1 metre, 1 yard, 1 foot, 2 feet, a step length, a stick and the like.

The layout drawing

The layout drawing

One best goes forward as follows: Fix a line, divide it into 16 parts, mark the mid points of the circles, then make the arcs with a string, wire, circle, tape or the like.  The radii are a multiple of the unity, so R2 means 2 times the unity etc.

The labyrinth can be drawn with compass and pencil on paper or can be scratched as a walkable labyrinth into the sand, strewn with sawdust or laid with stones or similar. The two accesses can be arranged by wish. It would make it easier to begin with the arcs above the line.

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While dealing with the Babylonian labyrinths in the detailed and excellent article of Richard Myers Shelton in Jeff Saward’s Caerdroia 42 (March 214) I also saw the following illustrations of sacrificed sheep’s guts. They are all different and served as patterns for extispicy.
They look similar to labyrinths, because they are depicted as one single uninterrupted line. Nevertheless, they have no center, rather two entrances/exits which mostly lie side by side. One could call them walk-through labyrinths or “prelabyrinthine”.

Clay tablets with diagrams of sheep's guts

Clay tablets with diagrams of sheep’s guts

To our today’s usual Western notion a labyrinth is a figure with one single path free of crossings leading to the centre and back again.

Does a relationship to “our” labyrinth exist in these intestinal loops or can they possibly be transformed into such?
This works, and as an example I choose the well recognizable drawing on the left clay tablet E 3384 (marked with a red cross).

Note from September 2017: Meanwhile I finished a drawing named E 3384 r_8 for the template.

Drawings from the clay tablet E 3384 recto

Drawings from the clay tablet E 3384 recto

Template for a visceral labyrinth

Template for a visceral Labyrinth

In it I determine the path sequence of the side by side lying intestinal loops and number them from the left to the right. The entrance lies in the middle and on the right side I leave the figure.

The layout of the visceral labyrinth

The layout of the visceral labyrinth

The pattern of the Labyrinth thus becomes visible. I read the order in which the single loops will be passed through: 5-6-9-2-3-8-7-4-1-10.

Using this path sequence I construct a closed, more round labyrinth in which the way ends in the centre.

Conversion of the path sequence into a closed round labyrinth

Conversion of the path sequence into a closed round labyrinth

I get a labyrinth with three turning points and nine circuits. Now this can still be reshaped by twisting and shifting the turning points. I can also choose a bigger middle and straighten the figure more centrally to the perpendicular bisectors of the sides.
Then it looks like this:

The visceral labyrinth in Knidos style

The visceral labyrinth in Knidos style

In front of us we have a new, hitherto unknown labyrinth. The path sequence is: 0-5-6-9-2-3-8-7-4-1-10. I walk directly into the internal area of the labyrinth and  I also go round the centre very quickly with 0-5-6-9. Then I walk outwardly and through the whole internal area with -2-3-8-7-4. From here I come to the outermost circuit once again and then with a big jump I arrive at the centre: -1-10. The alignment seems to be very dynamic and with a lot of movement. One should feel that when walking the labyrinth.

Who is the first to build such a labyrinth?

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Are there labyrinths to be found under the Nazca lines?

A lot has been puzzled over these mysterious geoglyphs, of course also as regards their meaning. The supposedly oldest ones were created from 800 BCE on. They most probably served religious purposes.
There are numerous variations, many with geometric shapes, even double spirals.

Nazca Lines

Nazca Lines © rrosas1004

The meander is part of them and with that we already have a similarity to the labyrinth. The double spiral is also an essential element for the Wunderkreis which has been passed on up to the present day . Gundula has found out a logical alignment for the lines in the top right corner of the previous picture. I have brought them into a geometrically correct and compact form.

Nazca Labyrinth

Nazca Labyrinth

There is no real middle in which the paths end, but rather two entrances. We have a walk-through labyrinth in front of us. Other labyrinth qualities are the uninterrupted, winding path with some turns, however, without forks or dead ends. Single elements are rotated and mirrored, depicting a sort of symmetry. A certain resemblance to the Babylonian walk-through labyrinths is recognizable, even if the entrances lie at two different places and are not side by side.

We do not know exactly what these lines have served for. However, nowadays, many archeologists incline to the view that these are processional ways used for ceremonies. Certainly not in the same sense as we do it today in a labyrinth, but for cultic purposes.

Even if one does not recognise this figure as “a real” labyrinth, it is at least prelabyrinthine and appeared in quite an other culture than the hitherto known labyrinths.

Here the layout drawing as a prototype with the dimension for the axis of 1 meter:

Layout drawing

Layout drawing

Here the layout drawing as a PDF file to watch/print/copy/save (for non commercial uses only) …

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Some time ago I already posted a walkable Babylonian visceral labyrinth (see related posts below).

Today I will present another one.

Babylonian Snail Shell Labyrinth

Babylonian Snail Shell Labyrinth

I have called it snail shell labyrinth because it reminds me of one. In addition to that I have also extended the entry area on the left a little bit wave-shaped.

It is a new type of labyrinth again: It has an unequivocal way through a labyrinth, not into a labyrinth. Therefore there are two entrances, no center to stay in or to return from.

I have written about the labyrinth and the origin quite detailed (see related posts below). The illustration on the clay tablet VAT 9560_5 of the Vorderasiatisches Museum Berlin forms the basis of the layout. Hewre we deal with a walkable implementation.

The following drawing shows the main elements.
At first one should fit the labyrinth into the available locality and determine the orientation. To achieve that one defines the points M3 and M5.

The main elements

The main elements

By use of triangular measurements from two points the other salient points are determined. One do not necessarily need to define the beginning and the end of each curve in advance. They lie on the (imaginary) lines between the main points or along the extension about these points.

If one puts on the semicircles in the right part first (in Blue) using M4 as midpoint, one has already created a large part of the arcs and can then add the other pieces.

As to the five curves around M3 one must pay attention that only the most internal two semicircles are continuous, the three external ones only reach up to the line determined by the points M3-M1-M6.

One could also form the entry area around M6 in a different way.


The exact measurements of the entire labyrinth are found in the layout drawing below.

The following layout drawing is a sort of prototype with the dimension of 1 m between  the axes which also corresponds to the distance from line to line. The remaining measurements arise from this definition and the shape of the labyrinth.

The construction is scaleable. This means, all other desired path widths can be derived from it.

If e.g., a path width of 60 cm is desired, one takes the factor 0.6. All other measurements of the drawing are calculated with this factor, i.e. the road length as well as the line length, the main dimensions, the radii, the oblique distances of the centres etc.

Layout drawing

Layout drawing

Two examples:

One labyrinth sprayed on the lawn in the garden of Gundula Thormaehlen Friedman in Bad Kreuznach.

One painted with chalk on the plaster of the parking area in front of our flat in Würzburg. The children of the surroundings had a lot of fun and were running it tirelessly.

By the way, one can also walk the labyrinth hand in hand. After the first round the partner starts in the upper entrance. In the meander of the middle one meets and changes the paths.

Here the layout drawing as a PDF file to watch/print/copy/save (for non- commercial uses only) …

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In the meantime, I could put on some walkable visceral labyrinths. As a walk through labyrinth without central middle it provides quite new experiences.

It is a new type of labyrinth: An unequivocal way through a labyrinth, not into a labyrinth.

 

Babylonian intestinal labyrinth

Babylonian intestinal labyrinth

As a name came to my mind also: Tapeworm labyrinth or intestinal labyrinth.

Because it is, however, only the geometrically exact transformation of the figure on the clay tablet VAT 744 of the Vorderasiatisches Museum Berlin, one could also maintain the name chosen by Ernst Friedrich Weidner in 1917 “Berlin Labyrinth”.

Quite unexpectedly has turned out that this special type is a “pair labyrinth”. Since one can go from the beginning side by side on different paths and meets only at one single place with a change of course.

While marking out the labyrinth I have also found out how one should proceed while putting on the labyrinth. The following drawings will explain this clearer.

At first the approximate middle is fixed in point M4 and following the main axis up to the point M5 (9.00 m).

The further salient points are fixed with triangulation measurement from 2 points.

This is here only the point B. With the distance M4-B (8.00 m) and the distance M5-B (5.67 m) point B is marked out.

The exact measurements for a prototype with 1 m dimension between axes are found in the layout drawing below.

Point A lies in the lengthening of the line from point B through M4 by 6.00 m.

Then one fixes the midpoints M1, M3 and M2 along this line. Maybe also the beginning or end points of the arcs with a distance of 1 m.

To this see Fig. 1.Fig. 1 and 2
Now it is best, to pull all eight semicircles in the right upper part.

The first four semicircles 1 – 4 have M1 as midpoint and are drawn with the radii 1 m, 2 m, 3 m, 4m.

The different arcs, midpoints and numbers are shown colourfully differently.

To this see Fig. 2.
Fig. 3 and 4

Around M2 there is only one semicircle (radius 1 m). This is at the same time the “secret” middle with the sickle-shaped left blank figure.

Around M3 there are three semicircles (with the radii 5 m, 6 m, 7 m). Here don’t let you confuse by the design of the curves. Since they begin or end together with other curves. Thus the sickle-shaped “fontanel” is also generated.

To this see Fig. 3.

Then around M4 one pulls six semicircles 1 – 6 (beginning with radius 1 m, further to radius 6 m) in the left lower part up to the sloping line.

The both curves 7 and 8 with the radii 7 m and 8 m are only drawn up to the vertical between M4 and M5.

To this see Fig. 4.
Fig. 5 and 6

Around M5 are the three quarter circles 1 – 3 to pull (radius 1 m to radius 3 m) for the input area.

To this see Fig. 5.

All lines (the boundary lines) of the labyrinth are to be seen in Fig. 6. The actual way through the labyrinth is the free area between these lines.


The following layout drawing is a sort of prototype with the dimension between axes of 1 m for the distance from line to line. This corresponds to a path width of 1 m. The remaining measurements arise from this definition and the design of the labyrinth.

The construction is scaleable. This means, all the other desired path widths can be derived from it.

The following photos show the labyrinth with a path width of 50 cm. All measurements were multiplied by the factor 0.5 to build them.

If e.g., a path width of 60 cm is wished, one takes the factor 0.6. All other measurements of the drawing are to be calculated with this factor, so also the path length, the line length, the main dimensions, the radii, the sloping distances of the midpoints etc.

Layout drawing

Layout drawing

Two examples for a path width of 50 cm:

The worldwide first labyrinth of this kind on grass in the garden of the co-founder of the TLS Gundula Thormaehlen Friedman in Bad Kreuznach (Germany).

The second one on the pavement of the parking place in front of our home in Würzburg (Germany).

Sprayed on grass

Sprayed on grass

Painted with chalk on pavement

Painted with chalk on pavement

Walking two by two: The test by our grandson and his girlfriend from the neighborhood.

Here the layout drawing as a PDF file to watch/print/copy/save (for non commercial uses only) …

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