Posts Tagged ‘classical 7 circuit labyrinth’

Andreas recently brought here a posting to the Jericho labyrinth St. Gallen which probably shows the historically first crossing of the main axis in a classical labyrinth.

I have written about that already. But now I would like to do it once again. Because for me it seems to be an element to design the labyrinth which I have not seen anywhere.

I became aware of that when I have no longer drawn the labyrinth from a seed pattern, but from the path sequence. And, besides, have noted that there also are different possibilities to connect the lines.

Using the example of the classical 7 circuit labyrinth I will explain this once again. How many possibilities to cross the axis are there, and how does it look like?

First the original labyrinth, however round and with a bigger middle.

The classical 7 circuit labyrinth

The classical 7 circuit Labyrinth

The last path sequence into the middle lies on the vertical main axis. The entrance lies on the left side of the main axis, leads to the third circuit, and turns to the left at first. The entry into the middle takes place from the fifth circuit from the right side, and faces the entrance.

How often can I now traverse the axis?
At two positions: From the first to the fourth circuit, and from the fourth to the seventh circuit. This can happen at each position alone or at both positions together. The result are three variations.

Here the first version:

Crossing the axis from the 1st to the 4th circuit

Crossing the axis from the 1st to the 4th circuit

By crossing the main axis from the first to the fourth circuit I do not change the direction of movement as in the original labyrinth. I am still turning to the left in the fourth circuit.
However, thereby I also reach the middle from the left side, so to speak I have laid this entry on the other side of the main axis.
The main entrance slides a little further to the left, and the two lower turning points also move to the left.

The second version:

Crossing the axis from the fourth to the seventh circuit

Crossing the axis from the fourth to the seventh circuit

Here the change from the first to the fourth circuit remains like in the original, however, from the fourth to the seventh circuit I maintain the “spin”.
The entry into the middle is executed from the left side as it is in the original. However, the main entrance slides to the right side. Both lower turning points are shifted to the right.

The third version:

Crossing the axis from the first to the fourth, and from the fourth to the seventh circuit

Crossing the axis from the first to the fourth, and from the fourth to the seventh circuit

The vertical main axis is crossed twice as in the previous versions, now together.
Through that the  lines are displaced considerably. Everything moves to the left. The main entrance lies again on the left side, the entry into the middle is made from the right side.

Here the path as Ariadne’s thread:

Ariadne's thread in familiar manner

Ariadne’s thread in familiar manner

Ariadne's thread with the axis crossed twice

Ariadne’s thread with the axis crossed twice











Maybe one can dismiss that as unnecessary? It would be nice, nevertheless to try it out in practice. Above all how it feels to experience another change of direction than in the original.

Maybe the opportunity arises in a big sandtable exercise? On a sandy beach for example? Where one can simply scratch the lines into the sand, and allows the flood to erase them out leniently.

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Many are surprised how long the way in a labyrinth can be, especially if they walking labyrinth for the first time. And many who want to build a labyrinth, e.g., with stones or with candles, are astonished how much material they need.

Under the heading “Principles of Form” in his book Labyrinths Hermann Kern writes about the >tortuous path principle<:

– if the path fills the entire interior space by wending its way in the most circuitous fashion possible

If I stand ahead of a labyrinth, the middle, the goal is within  my reach. However, only when walking in I get to know how winding and complicated the way is in reality. But yet, this way, the red thread or Ariadne’s Thread is the continuous line in the labyrinth, without crossroads or junctions.

Ariadne's Thread

From A to Z: The long and the short path

In the drawing I call “A” the beginning of the path and “Z” the goal, the center or middle. In many labyrinths I could reach directly the middle with a few steps across all limitations. But this is not really what is intended with a labyrinth.

Now I compare for a 7 circuit labyrinth with a diameter of about 15 m the short way (direct connection between A and Z) with the long way along the Ariadne’s Thread. The length of the short way amounts to 6.33 m, the long way has a length of 154.62 m. Or differently expressed: The long way is 24.4 times longer than the short way (154.62: 6.33 = 24.4).
One could also see in this a formula for the labyrinth. To calculate how powerful is the  layout for example. Or how wended is the way? Or from what minimal surface area I can extract which maximal length?
Maybe one could call this value in honour of Hermann Kern “detour factor” 24.4?

If I handle this thread at the beginning and at the end and pull it apart, I will get a straight line which reaches from “A” to” Z” and is as long as the way inside the labyrinth, i.e. 154.62 m.
I can arrange this to a circle. The perimeter corresponds to the straight line of 154.62 m. The resulting diameter would be 49.22 m.
I can also make a square with the same extent from it. Then this would have four side lengths of 38.65 m.

The following drawing, yet not true to scale, illustrates the different figures and the true ratios among each other:

Ariadne's Thread unrolled

Ariadne’s Thread unrolled

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Beginning to live again? I can do that each day. But at this time we are particularly reminded of it. Symbol for new life is amongst others the egg – and the labyrinth. Can that be combined?
I could however paint a labyrinth on a egg. As I am not so talented manually (or perhaps only too comfortably?) I made that digitally.



Happy Easter!

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This beautiful labyrinth was a great surprise at Christmas 2007. It belongs to a crib, which was a gift of Mario. He invented the shape all alone.

Heart Labyrinth

Heart Labyrinth

It is a classical labyrinth with 7 circuits and the 4 turning points. They are not arranged in a square, but shifted totally. Also the center is not in the center, but in the left part.
It would be a good exercise to follow the way through the labyrinth with your eyes or with your mouse. And feel what this is doing inside yourself.
Who would like to make a walkable labyrinth out of it?

Crib 2007

Crib 2007

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