Listening to the Labyrinths

Find our Typology Confirmed

In chapter 3 of his book, Herman Wind (see below: Literature 1) aims at introducing a new categorization of labyrinths. For this purpose he has used images of labyrinths primarily from Kern (Literature 2) and also from some other sources. Wind has abstracted the sequences of circuits from the ground plans of the individual labyrinths. In the labyrinth library, table 3.2.1 A-F on pages 73-78 of his book, entries of 235 labyrinths can be found. Each line represents one labyrinth with a reference to figure, location, date when recorded and sequence of circuits. Labyrinths with the same sequences of circuits were arranged subsequently. By this, Wind has attributed similar labyrinths to the same groups, divergent labyrinths to different groups and thus created a typology. However, he does not term his groups „types“ but „families“ instead. These families have not been given different names and are also not always clearly distinguished one from another. Therefore in the labyrinth library, the reader himself must draw parentheses around the lines with the same sequences of numbers in order to identify the families.

In the book, five examples of the use of the labyrinth library are presented. Let us have a look at the first example (p. 81). This shows examples of labyrinths that were attributed to the same family as the labyrinth of Ravenna.

Figure 1. Labyrinths Attributed to the Same Family as Ravenna

Examples A „Filarete“, C „Ravenna“, and F l(eft) „Watts 7 circuits“ all have the same sequence of circuits. Example B „Hill“ was equally attributed to this family, even though it is completely different. It can be seen at first sight, that this labyrinth does not belong to this family. This is a faulty drawing of a labyrinth of the Saffron Walden type. It seems, there has been some mistake in the attribution of the labyrinth in the labyrinth library. Interestingly, neither the author nor the editor have noticed this. Although they have noticed the difference in the much more resembling example F r(ight) „Watts 11 circuits“, but only stated a certain similarity with the family of Ravenna. This is just what can be seen in a direct comparison of both images F l and F r.

The way Wind uses the sequence of circuits causes two problems:

First: This sequence of circuits is unique only in alternating one-arm labyrinths. If we consider also non-alternating labyrinths, examples with different courses of the pathway may have the same sequence of circuits (fig. 2).

Figure 2. Labyrinths with the Sequence of Circuits 7 4 5 6 1 2 3 0

So, Wind attributes the two non-alternating labyrinths (a) St. Gallen and (b) Syrian Grammar to the same family. This is correct. Should he find an alternating labyrinth of the shape (c), however, he would have to attribute this to the same family, although it has a clearly different course of the pathway. This because it’s sequence of circuits is 7 4 5 6 1 2 3 0, just the same as in examples (a) and (b). (For other examples with ambiguous sequences of circuits see related posts 1, 2).

Second: Wind’s sequences of circuits for the labyrinths with multiple arms are incomplete. They only indicate which circuits are covered at all but provide no information on how long the respective pieces of the pathway are. Such sequences of circuits are not even unique in alternating labyrinths. As Jacques Hébert explains, the sequence of circuits in labyrinths with multiple arms must take into account the division into segments and the resulting variation in length of path segments (Literature 3). This can be done in different ways.

Figure 3. Sequences of Circuits of the Wayland’s House Labyrinth

Figure 3 shows one of the possibilities using a pure sequence of numbers with the example of the Wayland’s House 1 labyrinth. The sequence of circuits of this labyrinth according to Wind (lower row W:) has 21 numbers. If we consider also the length of the path segments following Hébert (upper row H:) the sequence has 30 numbers. From Wind’s sequence of circuits the labyrinth cannot be restored without an image of it or only after multiple attempts. From Hébert’s sequence of circuits it can be restored without difficulty.

That there may exist alternating labyrinths with different courses of the pathway for the same incomplete sequence of circuits is shown in fig. 4.

Figure 4. Labyrinths with Different Courses of the Path and the Same Incomplete Sequence of Circuits

The two labyrinths shown have different courses of the pathway. This is represented in the complete sequence of circuits (upper lines). In the incomplete sequence of circuits (lower lines), however, the difference has disappeared. It is the same for both labyrinths.

Conclusion

The categorization by Wind is not new. We have done this already (Literature 4). We have used about the same material, have attributed similar labyrinths to the same groups and divergent labyrinths to different groups and refer to this as a typology (related posts 3, 4, 5). We also obtain more or less the same results (further links). Thus, the categorization by Wind confirms our typology to a great extent. As the criterion for similar or divergent, we use the course of the pathway. However, we don’t describe this with the sequence of circuits but with the pattern. This allows us a unique and complete representation of the course of the pathway and an unambigous attribution of the labyrinth examples to types of labyrinths.

Literature

  1. Listening to the Labyrinths, by Herman G. Wind, editor Jeff Saward. F&N Eigen Beheer, Castricum, Netherlands, 2017.
  2. Kern H. Through the Labyrinth: Designs and Meanings over 5000 years. London: Prestel 2000.
  3. Hébert J. A Mathematical Notation for Medieval Labyrinths. Caerdroia 34 (2004), p. 37-43.
  4. Frei A. A Catalogue of Historical Labyrinth Patterns. Caerdroia 39 (2009), P. 37-47.

Related Posts

  1. Circuits and Segments
  2. The Level Sequence in One-arm Labyrinths
  3. Type or Style / 6
  4. Type or Style / 5
  5. Type or Style / 1

Further Links

Katalog der Muster historischer Labyrinthe

3 thoughts on “Listening to the Labyrinths

  1. Here I share the answer by Herman Wind on the post by Andreas Frei with the friendly agreement of both:

    Ede, the 12th of April 2019

    Dear Andreas Frei,

    Thank you for informing about the news on your blog. I am impressed by the work you have done to develop your method to analyse and categorize labyrinths. It is a thorough approach which shows your great experience and knowledge of labyrinths. It is a pity that I was not aware of your approach, because I could certainly have benefitted from your work.

    It is clear that your approach as well as my approach serve the same aim: analysing and categorizing labyrinths in such a way that links between the various sources of information (books, petroglyphs, graffiti, coins etc.) become apparent and may form the bases for further research.

    Comparing both methods I get the impression that your aim is also to be able to reconstruct the labyrinth based on the information in your labyrinth library. This is not the case in my approach. You showed clearly that an approach based on the sequence of numbers only may yield a variety of labyrinths. Of course in developing my approach I have considered also the option to add more information to the sequence of numbers. But exploring the boundaries of my approach using the say 230 labyrinths available, I learned that the same sequence of numbers yielded the required links between labyrinths, which I was searching for. This experience does not exclude your remark that in principle more types of labyrinths are feasible given a sequence of numbers and I am convinced that in the course of time a few examples which do not lead to the same family will appear.
    But there is another reason for me to stick initially to a single set of figures and that is that the simple approach appeared to appeal to labyrinth enthusiasts. It was simple for them to obtain the sequence of numbers related to a labyrinth and search in the labyrinth library for feasible links.

    For these two reasons, the approach appeared to be sufficient as well easily applicable for a wide audience, I was and still am happy with my approach of a single sequence of numbers.

    You rightly point out to the parallel between your and my approach. A parallel which however is again clear for specialists, but for one reason or another it did not ring a bell with Jeff Saward nor in the review of Erwin Reissmann.

    The idea that the labyrinth of Thomas Hill should be a part of the same family as the Ravenna labyrinth is clearly erroneous and it is not my intention to implicate that. The Ravenna labyrinth is discussed in paragraph 3.3. followed by the labyrinth of Thomas Hills in paragraph 3.4. The fact that placing these two types of labyrinths both on page 81 can easily lead to the wrong conclusion i.e. that they are from the same family, which is clearly not the case.

    If you have further questions or remarks, please do not hesitate to discuss these with me.

    Kind regards,

    Herman G. Wind

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    • Dear Herman
      Thank you very much for your constructive response. First let me state that Erwin and myself always welcome and appreciate a multitude of approaches and contributions to the subject. And I agree that our approaches have much in common and serve the same aim. And I also am interested in the details and differences.
      The main purpose of my typology is the same as yours: classifying and comparing labyrinths. But I also use my tool to identify and classify labyrinths the other way round for the detection or design of new types of labyrinths, which seems not to be your interest. Therefore for me an unambigous representation of the course of the pathway is important. It is of secondary importance, whether a pattern or a sequence of circuits is used. But or me, the notation of a sequence of circuits must be unambigous, or bi-univocal.
      Of course I respect your approach that has the advantage of more ease of use and the risk of a loss of precision. However, in practice, labyrinths with different courses of the path but the same sequence of circuits may rarely occur. So in such a case a difference – if noticed at all – could be easily taken into account.
      This brings me to some other concerns. I have continued to chapter 4 of your book. I have the strong impression that you were greatly influenced by Tony Phillips’ notation. This can be seen from the use of the 0 and (n+1) in the sequence of numbers and from your selection of interesting SAT for the comparison of theoretically possible and empirically existing types of labyrinths. The notation of Tony is strictliy limited to SAT. As you explain, S means one-arm labyrinth. That rules out all labyrinths with multiple arms, whether these are sector labyrinths or else. A means that the path does not traverse the axis, excluding such labyrinths as St. Gallen, Syrian Grammar, Al Qazwini etc., and T rules out any designs that are not strictly unicursal, e.g. multicursal mazes, Baltic Wheels or else.
      Interestingly in chapter 4 you use the term „types“ for your groups. But this is only a incidental remark and has nothing to do with the issues I see in your figure 4.3.1 comparing interesting s.a.t. labyrinths with observed labyrinths. Among your 6 observed s.a.t., only two, Demeter and Pylos are s.a.t. Kato Paphos, Chusclan, Avenches, and Annaba are not S but only AT. Type Manuscript (St. Gallen), Syrian Grammar is only S, non-A, T (the only s.a.t. with 6 circuits and your sequence of circuits 7 4 5 6 1 2 3 0 is example (c) I showed in fig. 2 of my post). Among your 27 observed types but non s.a.t. labyrinths, the types Temple Cowley, Farhi, City Jericho, Hebrew Bible; type fig 230, 228 (not 229) Jericho; type fig 232 Jericho, type C 38-01, and type C 43-55 are all s.a.t, although most not interesting ones. So to me it seems that the way you extended Tony’s concept to types of labyrinths it was not designed for on the one hand and narrowed the range of feasible types to the interesting s.a.t. causes some confusion.
      In addition I wonder why you reversed the numbering of the circuits from outside-in as by Tony to inside-out?
      Best, Andreas

      Like

      • Here the e-mailed answer of Herman G. Wind:

        Ede, 23rd of April 2019

        Dear Andreas Frei,

        Thank you for your thorough analysis of Chapter 4 of my book ‘Listening to the Labyrinths’, which ends with the following two statements.

        1. So to me it seems that the way you extended Tony’s concept to types of labyrinths it was designed for on the one hand and narrowed the range of feasible types to the interesting s.a.t causes some confusion.

        2. In addition I wonder why you reversed the numbering of the circuits from outside-in as by Tony to inside-out?

        I agree with you that figure 4.3.1 in its present form causes confusion. A confusion I never intended, nor did I intend to adapt the brilliant theory of Tony Williams. Because chapter 3 and chapter 4 are close to my heart, I would like to outline my intentions with those chapters below.

        Chapter three provides the labyrinth library which provides an overview of possible connections between labyrinths. This is important as a research tool.

        The objective of chapter four is quite different. The content of chapter four learned me that the builders of the labyrinths were very selective in the types or families of labyrinths they constructed. I tried to clarify this point by answering the following questions

        1. How many types or families of labyrinths have been observed?
        2. How many types or families of s.a.t. labyrinths are feasible as a function of the number of circuits?
        3. How many types or families of labyrinths are feasible as a function of the number of circuits.

        How many types or families of labyrinths have been observed?
        Using the information in chapter 3, the following graph can be constructed. On the vertical

        graph
        axis the number of observed types of labyrinths are shown as a function of the number of circuits (horizontal). It shows that the number of observed labyrinths increases with the number of circuits up to 12 circuits and after that reduces rapidly.

        How many types or families of s.a.t. labyrinths are feasible as a function of the number of circuits?
        In order to find the number of interesting s.a.t. labyrinths as a function of the number of circuits I used the data of Tony on
        http://www.math.stonybrook.edu/~tony/mazes/index.html On this website Tony Phillips presents a list of interesting s.a.t labyrinths as a function of the number of circuits.

        row

        The number of s.a.t. labyrinths tends to increase exponentially with the number of circuits. This statement of Tony Phillips is valid for the overall trend of the s.a.t. labyrinths, but not if you compare the number of feasible s.a.t labyrinths of two sequential number of circuits.

        How many types or families of labyrinths are feasible as a function of the number of circuits?
        The answer on the third question can be inferred from the results of the s.a.t. labyrinths. As s.a.t labyrinths are a sub-class of the class of labyrinths, it is to be expected that the number of feasible labyrinths increases even faster than exponentially with the number of circuits.

        Conclusion as a result of the answers on the three questions above.
        The conclusion is that a wide selection of labyrinths were available for the designers of labyrinths (increases even faster than exponentially with the number of circuits!!), however they restricted themselves to a small selection, which is the selection of observed labyrinths.

        This is the point I try to make in chapter four: ‘Theory and observation of labyrinths’. Of course one would like to know why they were so selective, however the answer to that question cannot be derived from the labyrinth data.

        The important role of the theory of Tony Phillips is outlined in the answer to question 2. The fact that I reversed the numbering of the circuits from outside–in as by Tony to inside-out is simply that I had already completed the labyrinth library in chapter three. I adapted the numbering in the theory of Tony Phillips in order to make theory and observation comparable.

        Kind regards,

        Herman G. Wind

        Like

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