To say it more exactly, here I relate to the 21 row-shaped visceral labyrinths, still known from some of the previous articles (see Related Posts below).
The appearance is defined by the circuit or path sequence. With that one can construct the different and new labyrinth types (here 21). To this I use the once before presented method to draw a labyrinth (see below).
The path and the limitation lines are equally wide. The center is bigger. The last piece of the path leads vertically into the center. All elements are connected next to each other without sharp bends and geometrically correct. There are only straight lines and curves. This all on the smallest place possible. All together makes up the Knidos style.
Look at a single picture in a bigger version by clicking on it:
- VAT 984_6
- VAN 9447_3
- VAN 9447_4
- VAN 9447_6
- VAN 9447_7
- VAN 9447_8
- VAN 9447_9
- VAN 9447_10
- VAN 9447_12
- VAN 9447_14
- E 3384 r_1
- E 3384 r_2
- E 3384 r_4
- E 3384 r_5
- E 3384 r_7
- E 3384 r_8
- E 3384 r_10
- E 3384 v_2
- E 3384 v_4
- E 3384 v_6
- E 3384 v_8
I think that by this style the movement pattern of every labyrinth becomes especially well recognizable. With that they can be compared more easy with the already known labyrinths.
Remarkably for me it is that only one specimen (E 3384 v_6) begins with the first circuit. And the fact that many directly circle around the middle and, finally, from the first circuit the center directly is reached. Noticeably are also the many vertical straight and parallel pieces in the middle section.
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