Oli Stefani has chosen a square stele from red sandstone for his finger labyrinth and has “unwound” the labyrinth on four sides. If one wants to see the labyrinth completely or wishes to follow the path with the finger, one must move himself  and walk round the stone. There is more movement than with a usual finger labyrinth.

For his first work he has chosen the classical 7 circuit labyrinth in square form. The stone is now some years old and stands in a private garden in Durlach and is not open to the public. It’s a pity!

The entrance into the labyrinth is on the top side. The path is indicated by the deepened line and leads first to the left (if you watch the front side).
The photos show the stone from all sides. There arise astonishing looks at the well-known pattern of the classical labyrinth.

Please check out a new manner to depicture the photos by clicking directly into one. You can move through the carousel just as you like and also return to this page here. Simply try out.

The labyrinths I make
are best described
as unicursal mazes,
meaning one path
to the center.

No decisions to make,
no dead ends,
simply walk.

We all need
to take time
to be on our path.

Namaste’
Denny Dyke, RScP

Please watch a video from Mike Fousie about Denny Dyke by clicking on the link here (opens in a new window):

Sacred Journeys

Sacred Journeys from LightCurve on the Road – Fousie on Vimeo.

Related Link

• The website “Sacred Journeys” of Denny Dyke

Meander border on a wallpaper at Boies-Lord House (Picture courtesy of © Chuck LaChiusa)

We will draw a scheme of the elements and number the vertical lines from the left to the right. This will be the circuits (the paths). The horizontal lines at the top and on the bottom represent the axis. There are only 6 circuits and not 7 as with the Cretan labyrinth. The path sequence is the following: A-3-2-1-6-5-4-Z. This should be the way leading inside. The way out: Z-4-5-6-1-2-3-A. Totally different from what we are accustomed to.

Scheme drawing meander border

On the right element the circuits are numbered from the inside to the outside (of the labyrinth) in the scheme above. The path sequence for the way out is identical with the order for the way in. Besides, the sum of both rows always amounts to 7, which is also the number of the limiting border lines (the walls); see at the bottom right. The labyrinth is self-dual because an identical labyrinth appears when the path sequence is turned around. Moreover, the lower chain of signs is a palindrome because there is always the same chain of signs, whether you read it backwards or forwards.

From the path sequence and the scheme drawing (diagram) I can now deduct the corresponding labyrinth. I choose a round shape and will get  Ariadne’s thread for a 6 circuit labyrinth:

Ariadne's thread (in black) in a 6 circuit labyrinth

I simply established an order of circuits strictly and schematically according to the path sequence. Additionally the centre only disposes of the width of one path. All this does not look very harmonious. 

Now I will try to filter the seed pattern out of this labyrinth and to draw a labyrinth on this basis. This time the walls are black. This layout ressembles the look we are used to somewhat more.

The 6 circuit labyrinth with the coloured seed pattern

When I look at the seed pattern more closely, I notice that the vertical bar of the cross is split in two by an additional passage, so to speak. The left part of the seed pattern is identical to the well-known seed pattern for the 7 circuit classical labyrinth; the right part is identical to the seed pattern for the 3 circuit classical labyrinth.
So I have put two halves of a seed pattern together and thus creatred a new, different labyrinth.  Or to say it more dashingly: Half a 7 circuit and half a 3 circuit labyrinth result in a 5 circuit one (3.5 + 1.5 = 5). Together with the additional passage this makes a 6 circuit labyrinth.

In order to obtain a more harmonious round labyrinth I will now choose a bigger centre and will not draw the walls in such a pronounced way. This makes the following drawing:

A 6 circuit classical labyrinth

I can state now that the entrance axis and the goal axis lie on one and the same line. As usual I step into the third circuit immediately and then go towards the outside again. But unlike as in the Cretan labyrinth I then go directly from the very outside to the very inside and circle the centre. Then my way leads into the direction of the entrance and from the fourth circuit finally to the centre. The alignment us unusual, but I like it his way. I have never walked such a type of  labyrinth. Does anybody know such a labyrinth? Or who will be the first to build one of this type?

Now there the question arises: Is there such a type of labyrinth known in the history of labyrinths? There is.
So this is not an invention of mine because 1000 years ago someone had already this idea, or at least a similar idea. In Hermann Kerns book we find two examples with this alignment.
According to the suggestions coming from Andreas Frei one would have to call this type >St. Gallen<, because that is the first historical proof.

Type St. Gallen (10th /11th century) Source: Hermann Kern, Labyrinthe, 1982, pict. 209, German edition

In a hand-written parchment from the 10th/11th century kept in the St. Gallen chapter library the round labyrinth can be found as an illustration to a text of  Boethius >Consolation of Philosophy< (around 480 – 524 AC). Obviously the designer wanted to draw a round Cretan 7 circuit labyrinth, made some errors and only drew 6 circuits and erased a lot to obtain a “right” alignment for a labyrinth. (Source: Hermann Kern, Labyrinthe, 1982, p. 176, 177, German edition).

The second labyrinth of this kind appears with the so-called  Jericho Labyrinths where the 6 circuits are to be found with a different alignment altogether.But there is also “our” type as a full-page miniature in a Syrian grammar book belonging to the Bishop Timotheus Isaac, written in 1775, in which the town of Jericho and Joshua are pictured as a labyrinth. (Source: Hermann Kern, Labyrinthe, 1982, p. 197, German edition).

The town of Jericho as a labyrinth (1775) Source: Hermann Kern, Labyrinthe, 1982, pict. 229, German edition

I have turned the drawing so that one can recognize the design more easily. The 7 circuits of the Cretan labyrinth do exist, but the first, outer circuit is not accessible. So there are 6 circuits and an alignment as with the round type of St. Gallen. It is scarcely understandable how the illustrator came up with that layout, but it was certainly not with the method “trial and error”. 

Further links

• There is an article on Wikipedia about the meander, in which are already hints concerning the labyrinth.
  Here the link … >
• I found the photo with the meander border on the wallpaper on the website of  Chuck LaChiusa. There you can find more photos of other meander types as well as some information related to meander and labyrinth.
  Here the link … >
• Andreas Frei (Switzerland) is exploring intensively the structure of the labyrinth and has proposed a catalogue with 74 different historical labyrinth types so far. On his website you will find much more information and many basics in order to better understand the different types of labyrinths (in German by now).
  Here the link … >

Everything is in French and the official title is: Erre, variations labyrinthiques.

A short extract from the description of the organizers (in English):

“Wander, Labyrinthine Variations” is an international group exhibition, which takes its cue from the model of the labyrinth, tackling the notions of straying, loss and wandering as well as their various representations in contemporary art.

Mystical, archaic forms, labyrinths and mazes are examined here as metaphors. They form complex figures that associate the image of non-linear progression through bends, curves, repentance and returns … whether architectural, mental, economic or structural in nature.

Though this sounds suspicious to be predominantly a maze; nevertheless, I am open for surprises. 

The exhibition runs since September 12, 2011 and still lasts to March 5, 2012.

Who wants to know more or may find out where to go:  Here is the link to the English introduction of the exhibition on the website of the Centre Pompidou-Metz.

Here a link to a trailer:

Erre, variations labyrinthiques du 12/09/2011 au …

Here an other one (still a little longer and in French):

« Erre, variation labyrinthique » au centre …

Read more: http://www.smh.com.au/opinion/society-and-culture/leave-behind-the-retail-maze-zen-is-just-a-single-path-away-20111228-1pcvl.html#ixzz1hvE9oCSc